Livestreaming
With the Many Hats I Wore
In recent times, we have seen a pivot towards livestream content, whether it be live music, podcasting, video game streaming, corporate events, and more. As such, my time in live radio and understanding of multiple online broadcasting services perfectly prepared me for the demands of today. It is a vocation that I jumped into the deep end and I feel I not only float, but swim in this like a dolphin. It should be noted that I was wearing multiple hats on all of the following shows, with the context of which provided.
I hope to add more to as time goes on!
ROCK Robotic
Livestream Director/Multimedia Producer
As part of ROCK Robotic’s mission to engage and inform its community, I led the creative and technical production for their multi-platform livestreams on Facebook, LinkedIn, and YouTube. These events showcased product updates, software demonstrations, and live Q&A sessions.
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I was responsible for end-to-end content creation and live broadcast execution. This included producing motion graphics like looping pre-show hype reels, designing branded intro/outro sequences (narrated by me), building lower thirds, and managing real-time audience interaction overlays. During the live events, I handled production cues—switching between speakers, visuals, and screen shares as needed—to ensure a polished and seamless viewer experience.
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Tools used: StreamYard, Adobe Premiere Pro, Adobe Audition
Dropbox's Black Box
Technical Director/Livestream Director
To support Dropbox’s shift to hybrid work and remote collaboration, I was brought in to help execute high-impact internal seminars that catered to both in-person and remote employees. These events were hosted in Dropbox’s state-of-the-art auditorium, featuring a massive LED wall and full livestreaming capabilities.
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I was responsible for synchronizing content delivery across both physical and virtual platforms. This included managing concurrent presentations on the LED wall and livestream, ensuring accurate cue-based camera switching, proper integration of lower thirds, and seamless incorporation of guest speakers via video calls. I coordinated both the technical direction and real-time execution to maintain a consistent experience for all attendees, regardless of location.
Tools used: Blackmagic Design hardware/software, Google Slides, and Zoom.
Fashion Sphere 2022: Resurgence
Technical Support - Live Event Broadcast/Multimedia Producer
During a particularly challenging production—complicated by last-minute talent cancellations and a team still finding its footing post-COVID—I played a key role in both live production and camera operation. My work is showcased in several segments of the final broadcast, which you can view here and here.
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In the final week before going live, I was brought in by the technical direction team to help bring the production to a functional, broadcast-ready state. With nerves running high and time running short, I’m proud to say that the team pulled together and delivered an outstanding showcase. Contributing to that turnaround was both a challenge and a highlight of my production experience.
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Tools used: Adobe Premiere, Adobe AfterEffects,
4K DSLRs
2021 Fashion Sphere
Virtual Showcase Producer
In the final stages of COVID-19 lockdown, I served as the sole livestream producer for a fully remote broadcast showcasing the City College of San Francisco’s Fashion Department. With all departments and participants working from home, I managed the entire live production to ensure a cohesive and polished presentation.
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My responsibilities included calling live cues, organizing and deploying all video packages and visual elements, coordinating with on-camera talent in real time, and maintaining high production standards throughout the event. Despite the challenges of a fully remote setup, I delivered a smooth, professional showcase that highlighted the creativity and work of the department.
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Tools used: OBS, Zoom, Elgato StreamDeck
Fan Faction - Dress Rehearsal
Technical Director/Multimedia Content Creator/On-Camera Talent
I worked with Insight Editions on the development of a weekly podcast series aimed at celebrating geek culture, promoting new book titles, and mixing in sketch comedy and roundtable discussion.
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While my primary role was Technical Director, I also contributed as on-camera talent and was responsible for all motion graphics and visual branding. From live switching to content design, I handled the full production pipeline during pre-recorded and live segments. Although the show didn’t progress past the initial stages, the experience reinforced both my technical capability and my comfort under pressure in a fast-paced, production-heavy environment.
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Tools used: OBS, Adobe After Effects, Adobe Premiere, Elgato StreamDeck